Speech by HRH Prince Constantijn at the 2011 Awards ceremony

Speech HRH Prince Constantijn for the presentation of the Prince Claus Awards in the Royal Palace Amsterdam on 14 December 2011

11 awards; 11 outstanding personalities and organisations.

Over the past 15 years, the Prince Claus Fund has positioned itself in the complex interplay of culture and development. Our starting point is that culture is a basic need. This seems so simple, and obvious to many here today, but in practice this basic need is often denied or sometimes  considered as trivial or even a luxury. 

But if culture were a luxury; then why suffer for it?

If it were trivial; then why prosecute it?

If it were harmless; then why die for it?

This dichotomy always puzzled me. While culture is what defines human beings; it is still regularly ignored, as an essential part of development.

Culture itself is not a luxury; but being able to take it for granted, is. In the Netherlands, we have such luxury, which is important to acknowledge; especially as elsewhere people put their lives and freedom on the line for the possibility to express themselves.

Like our laureates the Protest Poets in the Book Cafe in Zimbabwe that kept critical thinking alive; and Nidia Bustos supporting performing arts and heritage of Campesinos in Nicaragua during Somoza’s dictatorship. Or Regina Galindo who walks her bloody steps of protest in her singular march against exploitation and injustice in her home country.

I truly don’t know what drives individuals to become exceptional. It must be that creative expression conveys deep sense of meaning and belonging that is worth fighting for. 

The independent mind, daring to aspire for change and inspiring others, is what is feared most by oppressive governments. Why? Because people can truly make a difference by showing civil courage.  This was a bit of a mantra for my father. After living under two dictatorships in Germany and in the Dominican Republic, he was convinced of people’s duty to show ‘Zivil Courage’.   

In remembering him, we celebrate today: the courage to speak up, to perform, and express. The PCF awards provide a stage to acknowledge the exceptional work of organisations and people who make a real difference. They contribute to culture, and through culture. In doing so, they offer - in their own small or grand manner - new pathways for hope and development. 

But culture is not just problematic and heavy. It’s not only about its utility. It is also a source of pleasure, aesthetics, entertainment, amazing human achievement, contemplation, satire and fun. I don’t know about you, but I could not live without it! I go to experience the arts to be inspired, to be challenged by new perspectives, and to widen my horizon. 

These last 15 years, the PCF paid tribute to those who show us why we should remain optimistic about human development. The miracle of humanity is that there always are people like Rena Effendi somewhere; standing up against prejudice and framing the world through her critical eyes – like we saw in the video; a Riwaq Centre to guard cultural heritage, or someone like Kettly Mars or Rabih Mroue creating new works of art and literature to free minds and mindsets.

Every year, for 15 years, we allow ourselves to be surprised what richness and quality the world has to offer; and under what circumstances culture is produced and enjoyed.

All together there are 15 laureates and former laureates among this remarkable audience today. It was not planned this way but it is a happy coincidence. They symbolize how the Fund has grown its network over the years and how it has become a reference to people across the world who seek positive change.    

Today’s winner

Today, however, the biggest praise goes to Ntone Edjabe (1970, Douala, Cameroon) of Chimurenga, as winner of the Principal PC Award. He is a writer and DJ, who attended the University of Lagos but was ‘educated’ by Nigerian musician and radical thinker Fela Kuti. Chimurenga means  ‘struggle for liberation’ in Zimbabwe’s Shona language. It is an important magazine about culture, music and politics; and is also an innovative, Pan African, cultural platform based in South Africa.

In 2002, Ntone Edjabe launched the Chimurenga to stimulate original perspectives on the contemporary African experience. It offers fresh interpretations, analyses, poetry, experimental texts and visual materials by leading creative thinkers and radical practitioners in a multiplicity of disciplines from Africa and elsewhere. 

Mr Edjabe is a year younger than I am but has lived twice the life.

We first get to admire a video before we get to admire this remarkable person worthy of the PCF principal award 2011. 

 Speech by HRH Prince Constantijn at the 2011 Awards ceremony

"new pathways for hope and development through culture"

HRH Prince Constantijn at the presentation of the Awards

Prince Claus Awards

view programme

The Prince Claus Awards are presented annually to individuals, groups and organisations in Africa, Asia, Latin America and the Caribbean for their outstanding achievements in the field of culture and development and the positive effect of their work on their direct environment and on the wider cultural or social field.

Chimurenga & Ntone Edjabe

Chimurenga & Ntone Edjabe

Chimurenga & Ntone Edjabe South Africa/Cameroon Chimurenga (‘struggle for liberation’ in Zimbabwe’s Shona language) is an innovative, Pan African, cultural platform based in South Africa. It was founded by Ntone Edjabe (1970, Douala, Cameroon), a writer and DJ, who attended the University of Lagos but was ‘educated’ by Nigerian musician and radical thinker Fela Kuti. Edjabe relocated to Cape Town in 1993 and set up the Pan African Market as a space for a free flow of ideas and projects in a context marred by xenophobia. In 2002 he launched the Chimurenga magazine to stimulate original perspectives on the contemporary African experience. It offers fresh interpretations, analyses, poetry, experimental texts and visual materials by leading creative thinkers and radical practitioners in a multiplicity of disciplines from Africa and elsewhere. Its titles include ‘Music is The Weapon’, ‘Futbol, Politricks and Ostentatious Cripples’, ‘Black Gays and Mugabes’ and ‘The Curriculum is Everything’. Chimurenga magazine’s 2,500 print-run is distributed to enthusiastic followers in African countries and internationally. Selected articles are posted on Chimurenga’s website and available as ‘pocket literature’. Making strategic use of media and collaborations, Chimurenga’s activities include two editions of the Pan African Space Station, a 30-day series of performances and radio broadcasts expanding notions of African music. The Chimurenga Library, a unique collection of independent African cultural periodicals, is accessible online and tours as an exhibition. Chimurenga Sessions are interventions in public spaces, one notable example being a demonstration of the politics of archiving in Cape Town’s Public Library indicating connections between conventionally quarantined classes of knowledge. Chimurenga co-produces: the biennial African Cities Reader, re-interpreting urban forms, with the University of Cape Town’s African Centre for Cities; the Chimurenga Chronicle, re-examining the xenophobic violence of 2008 in a global context, with Kenya’s Kwani Trust and Nigeria’s Cassava Republic Press; and Pilgrimages, an attempt to counter media distortions through literary authors, with the Chinua Achebe Centre for African Writers and Artists. Chimurenga’s network of cutting-edge contributors has gained an audience that includes public intellectuals, social leaders and activists who are instrumental in shaping Africa’s trajectory. Ntone Edjabe and Chimurenga are honoured for the outstanding quality, originality and impact of their productions, for challenging established definitions and segregations of knowledge and expression, for stimulating Pan African culture and development in a global context of rising xenophobia, and for their unwavering commitment to intellectual autonomy, diversity and freedom.

Speech by HRH Prince Constantijn at the 2011 Awards ceremonytitle

Speech HRH Prince Constantijn for the presentation of the Prince Claus Awards in the Royal Palace Amsterdam on 14 December 2011

11 awards; 11 outstanding personalities and organisations.

Over the past 15 years, the Prince Claus Fund has positioned itself in the complex interplay of culture and development. Our starting point is that culture is a basic need. This seems so simple, and obvious to many here today, but in practice this basic need is often denied or sometimes  considered as trivial or even a luxury. 

But if culture were a luxury; then why suffer for it?

If it were trivial; then why prosecute it?

If it were harmless; then why die for it?

This dichotomy always puzzled me. While culture is what defines human beings; it is still regularly ignored, as an essential part of development.

Culture itself is not a luxury; but being able to take it for granted, is. In the Netherlands, we have such luxury, which is important to acknowledge; especially as elsewhere people put their lives and freedom on the line for the possibility to express themselves.

Like our laureates the Protest Poets in the Book Cafe in Zimbabwe that kept critical thinking alive; and Nidia Bustos supporting performing arts and heritage of Campesinos in Nicaragua during Somoza’s dictatorship. Or Regina Galindo who walks her bloody steps of protest in her singular march against exploitation and injustice in her home country.

I truly don’t know what drives individuals to become exceptional. It must be that creative expression conveys deep sense of meaning and belonging that is worth fighting for. 

The independent mind, daring to aspire for change and inspiring others, is what is feared most by oppressive governments. Why? Because people can truly make a difference by showing civil courage.  This was a bit of a mantra for my father. After living under two dictatorships in Germany and in the Dominican Republic, he was convinced of people’s duty to show ‘Zivil Courage’.   

In remembering him, we celebrate today: the courage to speak up, to perform, and express. The PCF awards provide a stage to acknowledge the exceptional work of organisations and people who make a real difference. They contribute to culture, and through culture. In doing so, they offer - in their own small or grand manner - new pathways for hope and development. 

But culture is not just problematic and heavy. It’s not only about its utility. It is also a source of pleasure, aesthetics, entertainment, amazing human achievement, contemplation, satire and fun. I don’t know about you, but I could not live without it! I go to experience the arts to be inspired, to be challenged by new perspectives, and to widen my horizon. 

These last 15 years, the PCF paid tribute to those who show us why we should remain optimistic about human development. The miracle of humanity is that there always are people like Rena Effendi somewhere; standing up against prejudice and framing the world through her critical eyes – like we saw in the video; a Riwaq Centre to guard cultural heritage, or someone like Kettly Mars or Rabih Mroue creating new works of art and literature to free minds and mindsets.

Every year, for 15 years, we allow ourselves to be surprised what richness and quality the world has to offer; and under what circumstances culture is produced and enjoyed.

All together there are 15 laureates and former laureates among this remarkable audience today. It was not planned this way but it is a happy coincidence. They symbolize how the Fund has grown its network over the years and how it has become a reference to people across the world who seek positive change.    

Today’s winner

Today, however, the biggest praise goes to Ntone Edjabe (1970, Douala, Cameroon) of Chimurenga, as winner of the Principal PC Award. He is a writer and DJ, who attended the University of Lagos but was ‘educated’ by Nigerian musician and radical thinker Fela Kuti. Chimurenga means  ‘struggle for liberation’ in Zimbabwe’s Shona language. It is an important magazine about culture, music and politics; and is also an innovative, Pan African, cultural platform based in South Africa.

In 2002, Ntone Edjabe launched the Chimurenga to stimulate original perspectives on the contemporary African experience. It offers fresh interpretations, analyses, poetry, experimental texts and visual materials by leading creative thinkers and radical practitioners in a multiplicity of disciplines from Africa and elsewhere. 

Mr Edjabe is a year younger than I am but has lived twice the life.

We first get to admire a video before we get to admire this remarkable person worthy of the PCF principal award 2011. 

 
 
 
 

Speech by HRH Prince Constantijn at the 2011 Awards ceremonytitle

Speech HRH Prince Constantijn for the presentation of the Prince Claus Awards in the Royal Palace Amsterdam on 14 December 2011

11 awards; 11 outstanding personalities and organisations.

Over the past 15 years, the Prince Claus Fund has positioned itself in the complex interplay of culture and development. Our starting point is that culture is a basic need. This seems so simple, and obvious to many here today, but in practice this basic need is often denied or sometimes  considered as trivial or even a luxury. 

But if culture were a luxury; then why suffer for it?

If it were trivial; then why prosecute it?

If it were harmless; then why die for it?

This dichotomy always puzzled me. While culture is what defines human beings; it is still regularly ignored, as an essential part of development.

Culture itself is not a luxury; but being able to take it for granted, is. In the Netherlands, we have such luxury, which is important to acknowledge; especially as elsewhere people put their lives and freedom on the line for the possibility to express themselves.

Like our laureates the Protest Poets in the Book Cafe in Zimbabwe that kept critical thinking alive; and Nidia Bustos supporting performing arts and heritage of Campesinos in Nicaragua during Somoza’s dictatorship. Or Regina Galindo who walks her bloody steps of protest in her singular march against exploitation and injustice in her home country.

I truly don’t know what drives individuals to become exceptional. It must be that creative expression conveys deep sense of meaning and belonging that is worth fighting for. 

The independent mind, daring to aspire for change and inspiring others, is what is feared most by oppressive governments. Why? Because people can truly make a difference by showing civil courage.  This was a bit of a mantra for my father. After living under two dictatorships in Germany and in the Dominican Republic, he was convinced of people’s duty to show ‘Zivil Courage’.   

In remembering him, we celebrate today: the courage to speak up, to perform, and express. The PCF awards provide a stage to acknowledge the exceptional work of organisations and people who make a real difference. They contribute to culture, and through culture. In doing so, they offer - in their own small or grand manner - new pathways for hope and development. 

But culture is not just problematic and heavy. It’s not only about its utility. It is also a source of pleasure, aesthetics, entertainment, amazing human achievement, contemplation, satire and fun. I don’t know about you, but I could not live without it! I go to experience the arts to be inspired, to be challenged by new perspectives, and to widen my horizon. 

These last 15 years, the PCF paid tribute to those who show us why we should remain optimistic about human development. The miracle of humanity is that there always are people like Rena Effendi somewhere; standing up against prejudice and framing the world through her critical eyes – like we saw in the video; a Riwaq Centre to guard cultural heritage, or someone like Kettly Mars or Rabih Mroue creating new works of art and literature to free minds and mindsets.

Every year, for 15 years, we allow ourselves to be surprised what richness and quality the world has to offer; and under what circumstances culture is produced and enjoyed.

All together there are 15 laureates and former laureates among this remarkable audience today. It was not planned this way but it is a happy coincidence. They symbolize how the Fund has grown its network over the years and how it has become a reference to people across the world who seek positive change.    

Today’s winner

Today, however, the biggest praise goes to Ntone Edjabe (1970, Douala, Cameroon) of Chimurenga, as winner of the Principal PC Award. He is a writer and DJ, who attended the University of Lagos but was ‘educated’ by Nigerian musician and radical thinker Fela Kuti. Chimurenga means  ‘struggle for liberation’ in Zimbabwe’s Shona language. It is an important magazine about culture, music and politics; and is also an innovative, Pan African, cultural platform based in South Africa.

In 2002, Ntone Edjabe launched the Chimurenga to stimulate original perspectives on the contemporary African experience. It offers fresh interpretations, analyses, poetry, experimental texts and visual materials by leading creative thinkers and radical practitioners in a multiplicity of disciplines from Africa and elsewhere. 

Mr Edjabe is a year younger than I am but has lived twice the life.

We first get to admire a video before we get to admire this remarkable person worthy of the PCF principal award 2011.